【创造英国童书历史的快乐大师—— 昆廷•布莱克】 国际儿童文学殿堂级大师，创作了超过350部作品，是所有读者眼中永恒的经典，被童书界誉为“插画教父”“欢乐的桂冠作家”，也是历史上仅有的包揽国际安徒生奖、凯特•格林纳威奖、英国儿童文学桂冠作家奖三项至高荣誉的两位作家之一 。 他流畅轻盈的线条，精准的幽默风格，影响了无数插画家，被誉为“插图教父”“专家的老师”“线条魔术师”。他自创了“手写绘画”风格，画笔仿佛和手融为一体。马修•科德尔等凯迪克大奖作者都称自己是昆廷的粉丝，从他身上获得了艺术滋养。 他还为知名儿童文学作家罗尔德•达尔的儿童文学作品绘制了极其精彩的插图，如《查理和巧克力工厂》《好心眼的巨人》《玛蒂尔达》等，他的画成为吸引孩子进入充满快乐和想象力的阅读世界的开放性邀请。 【媒体评论】 1. 我从未见过一个不爱昆廷•布莱克的孩子。——《每...(展开全部)

【创造英国童书历史的快乐大师—— 昆廷•布莱克】 国际儿童文学殿堂级大师，创作了超过350部作品，是所有读者眼中永恒的经典，被童书界誉为“插画教父”“欢乐的桂冠作家”，也是历史上仅有的包揽国际安徒生奖、凯特•格林纳威奖、英国儿童文学桂冠作家奖三项至高荣誉的两位作家之一 。 他流畅轻盈的线条，精准的幽默风格，影响了无数插画家，被誉为“插图教父”“专家的老师”“线条魔术师”。他自创了“手写绘画”风格，画笔仿佛和手融为一体。马修•科德尔等凯迪克大奖作者都称自己是昆廷的粉丝，从他身上获得了艺术滋养。 他还为知名儿童文学作家罗尔德•达尔的儿童文学作品绘制了极其精彩的插图，如《查理和巧克力工厂》《好心眼的巨人》《玛蒂尔达》等，他的画成为吸引孩子进入充满快乐和想象力的阅读世界的开放性邀请。 【媒体评论】 1. 我从未见过一个不爱昆廷•布莱克的孩子。——《每...(展开全部)

My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all. Years ago, Sukie moved in with Nathan because her mother was dead and her father was difficult, and she had nowhere else to go.

It's an ordinary afternoon in 1938 for the celebrated American novelist St John Fox, hard at work in the study of his suburban home until his long-absent muse wanders in. Mary Foxe (beautiful, British and 100% imaginary) is in a playfully combative mood. "You're a villain," she tells him. 'A serial killer ...can you grasp that?" Mr Fox has a predilection for murdering his heroi...(展开全部)

My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all. Years ago, Sukie moved in with Nathan because her mother was dead and her father was difficult, and she had nowhere else to go.

亚历山德罗·巴里科（Alessandro Baricco），意大利作家。1958年生于都灵。曾获意大利坎皮耶罗奖、法国美第奇外国作品奖、维亚雷焦文学奖和博斯克城堡文学奖。巴里科的作品有着浓烈的艺术与童话气质，富有实验性与音乐感，浓缩了人类美好而温暖的情感，既古老又新鲜，既传统又现代。 译者： 陈英，意大利马切拉塔大学语言学博士，现为四川外国语大学教授。译有马格里斯《微型世界》、费兰特“那不勒斯四部曲”、斯塔尔诺内《鞋带》、巴里科《一个人消失在世上》《海上钢琴师》、格罗西《拳头》等。2020年获评“单向街年度译者”，2021 年获意大利共和国总统颁布的“意大利之星”骑士勋章、意大利外交与国际合作翻译奖。

亚历山德罗·巴里科（Alessandro Baricco），意大利作家。1958年生于都灵。曾获意大利坎皮耶罗奖、法国美第奇外国作品奖、维亚雷焦文学奖和博斯克城堡文学奖。巴里科的作品有着浓烈的艺术与童话气质，富有实验性与音乐感，浓缩了人类美好而温暖的情感，既古老又新鲜，既传统又现代。 译者： 陈英，意大利马切拉塔大学语言学博士，现为四川外国语大学教授。译有马格里斯《微型世界》、费兰特“那不勒斯四部曲”、斯塔尔诺内《鞋带》、巴里科《一个人消失在世上》《海上钢琴师》、格罗西《拳头》等。2020年获评“单向街年度译者”，2021 年获意大利共和国总统颁布的“意大利之星”骑士勋章、意大利外交与国际合作翻译奖。

It is 1947, and the long-retired Sherlock Holmes lives in a remote Sussex farmhouse with his housekeeper and her young son. He tends to his bees, writes in his journal, and grapples with the diminishing powers of his mind. But in the twilight of his life, as people continue to look to him for answers, Holmes revisits a case that may provide him with answers of his own to questi...(展开全部)

'Owes a little to Beatrix Potter in its ironical humour and to Edward Lear in the style of its drawings, though Tolkien's approach is less grotesque and more delicate than Lear's.' Humphrey Carpenter 'A celebration, in the spirit of The Wind in the Willows, of a vanished, vulgar England where everybody did -- and spoke -- exactly as he pleased, and life was consequently a serie...(展开全部)